Without the sizzle, would we care about the steak?
Before I read Betty Fussell's "Raising Steaks: The Life and Times of
American Beef," I thought I knew enough about America's quintessential meal.
After all, I wolfed down quite a few myself. And I'd read "The Omnivore's
Dilemma" and "Fast Food Nation." And there was some additional
experience in 4-H. At 12 I wrestled 200-pound calves at the county fair's Calf
Scramble. The next year I was back at the fair with a 1,200-pound steer I'd
trained to walk on a leash and tolerate having his tail braided with vinegar
and water to give him the perm of a Sarah Palin-era beauty contestant when it
was brushed out.
But there is much more to be learned in Fussell's rangy, inquiring book
about the cultural, political and environmental aspects of the steak. And while
the subject of beef may seem pretty well-chewed, Fussell goes where no Pollan
or Schlosser has gone before.
The author of nine other books, including "My Kitchen Wars,"
Fussell is a writer of an idiosyncratic but rigorous stripe. She doesn't just
read about slaughterhouses, she takes a class in commercial butchering. She
details a recipe for disaster (the government's failure to test rigorously for
mad cow disease) alongside actual recipes for White Dog Cafe's Philly Cheese
Steak and Steak Diane, among others. The only problem is that by the time you
get to the recipes you may feel queasy about eating the beef.
"Raising Steaks" starts with a rewriting of the history of the
settling of the West through steak. "Like a movie Western, steak
ritualizes our appetite for violence and purges us of its needs," she
says. As with the Western, the steak's purity and naturalness turns out to be
an illusion.
In the early part of the book she combines historical research with visits
with modern-day cowboys and cattlemen who discuss the pros and cons of
different types of rangeland feeding. Although these portraits are interesting
enough, none are deep or critical enough to create a narrative beyond where on
earth Fussell, who is in her 70s, is going to go next.
But perhaps that is one of the lessons. Fussell observes as she traces the
history of the rodeo and the cowboy, "That the cattle business is a form
of show business was apparent from the start." Without the sizzle, would
we care about the steak?
"Raising Steaks" hits its stride in Greeley, Colo.,
home to the largest concentration of cattle feedlots in the country, and also
the former home of Fussell's grandparents: "strict teetotalers, farmers,
and colonic irrigationists." She traces this concentration of the
country's cattle ( just 2 percent of America's feedlots supply 85
percent of the beef ) through its baroque history, mentioning that some of the
feedlot cows receive not just antibiotics, growth hormones and corn, but also
chocolate bars, popcorn and Tater Tots junked by nearby factories.
"What I saw ... intimately was the history of these feedmills and how
they grew from innocence to monstrousness," she says, observing pointedly
that critics like Michael Pollan have failed to understand how the feedlots
reflect what she calls "the human face of men who'd grown up with cows and
cared about them. ..."
Through this she comes to what may be the book's real contribution to the
beef debate: "I came to feel that if you must single out any single
element of the contemporary beef industry in order to condemn it, it should not
be corn or feedlots per se, it should be industrial scale."
Later she mentions that the beef industry's opposition to testing for mad
cow and E. coli seems rooted in a fear that the "rugged individual, maybe
even America itself, is no longer in control of his destiny." I think
she's on to something, and I wished she'd pounded the point home with a
sledgehammer.
But a few pages later, Fussell is off to the slaughterhouse to make a
different point about how the USDA's grading system has almost nothing to do
with consumer preferences and everything to do with the beef industry. Soon
she's sneaking into a beef industry conference to dissect its politics, which
include suspicion of "the East," environmentalists and
"Marxists" as potential agents of bioterrorism, or Nazi storm
troopers "persecuting" the industry. Marxists in the meat supply! She
ends the book, fittingly, with a recipe for eating steak raw.
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